Tuesday was the day! Not more of a day than when I printed onto the back of my jacket, but it was still a good day for printing. I was really chuffed with myself for making a screen that repeated, I’ve never done it before (at least I don’t think I have) and I was really looking forward to putting it to good use on my lining. However, it didn’t quite line up, there was about 1cm or less of the pattern missing down the one edge, but since the pattern was quite messy(?), I don’t think that’s the right word, but it didn’t really need to be perfectly aligned.
The end result was a really bright and really cool lining that will be a great contrast to the darker orange outside of my jacket.
After my feedback I was a bit overwhelmed by the amount of things I need to get on top of, and one of the things that I really liked the idea of is bringing in some subrates that make the collection feel warmer, so I started to think about knit, and popped into the Craft Sew and Sew to pick up a few wools in colours that are in my scheme.
I then needed to learn how to knit, not a big ask, I suppose.
This called for reinforcements, in the form of my mum. Master knitted extraordinaire (maybe I’m exaggerating but if you see how fast she can knit, you’d think so too). I’ve spend the afternoon learning how to knit, and I can tell you, I haven’t felt so cack-handed in years!
I love knitted stuff, big chunky jumpers, tightly knitted socks, massive blankets! They exude warms that cosy-ness which is something that would slot perfectly into my collection. So on I went with trying to knit, I started with some wool I has lying around the house, and made 20 stitches so I was just making a small sample patch. I don’t know what I did wrong but a one point I ended up with 28 stitches and by then end there were a few wholes where I’d dropped some. Needless to say that I got my mum to make me a samples with the threads that matched my colour scheme.
Using three different needled sizes, 10mm, 7mm and 4mm, I’ve got samples of different size, different colour and of varying degrees of skill! I do however really like the idea of adding knit into my collection, especially as a really cozy jumper that can be layered under my jacket and reinforces the idea of warms and protection.
(I’m not against buying a jumper and dying it the colour I want either!)
My greetings card has been an ongoing mission, kind of like the five year mission on the USS Enterprise, only not quite lasting so long.
It started when I was creating my gift bag, suddenly a new design popped into my head, layers and all. I considered making another gift bag with this ideas, but since I had other things on my list that needed completing before I go off and make any extras, I decided to adapt the idea so that I could use it to create a really cool greetings card.
The idea started with two layers, one with a font pattern, the other with a grid pattern. For the gift bag I was thinking about the orange grid pattern I experimented with, but for the card, I though it would be too much colour, and not enough pop, so I turned to a grey grid pattern that I had printed, and layered this with the font pattern I created, printed not black organdie (mainly because I thought they looked better together than the grid and the font pattern on the white organdie).
Then I started thinking about what this card should look like. Its not good enough to just slap a surface pattern on a card because that shows you haven’t thought about the card itself, and while I realise I have used surface patterns on my card, I’ve also combined that with a font idea that I thought of just for this card, as well as the rest of the card compositions, e.g what card I’ll use to create it, what the inside will look like, do I have a coloured paper inside, what is my box template for the inside going to look like, what colour envelope should I make to match, etc. I have very purposely been thinking about every other aspect of this card, because I know that it needs to be designed differently from the rest of the items in my collection.
The font pattern I used in the background was a design that combines both old and new slang, typed up and printed out. I then scanned this designs back into the computer, but while doing so, I moved the paper so that the writing could get distorted, like a technical glitch or a paper jam kind of effect. This effect is one that takes its inspiration my research into 80s digital medias. So with a pattern that was both modern and retro, and a retro distortion of that design, I decided that what the card needed now what a modern slang or phrase for the writing that would be on the front.
My collection is an everyday collection so I don’t need to have any holiday or ‘happy birthday’ on the front of my card. I did however go for a phrase, or two that could easily be used to describe an outing or celebration.
Low-key / hi-key
They are modern terms, I know because I’ve been extensive googling modern slang (and wondering what the flip someone it means, but thankfully they have description included).
Low-key is to have an event thats not announced, so a small, quite gathering that could easily be a few friends coming together for a little celebration.
Hi-key is the opposite. A large gathering or party that be announced out loud so that everyone can join in.
These are two modern definition of a way to celebrate, so even though I’ve made an everyday collection, I’m still aware that this card could used for as a birthday card, or other celebration card.
I took inspiration from one of the samples I’d made earlier on, which had bright yellow embroidery on it, I was planning to do that for this card, to have my two phrases embroidered on the front as a colour pop. But then a card I’d ordered came in the post. A plain white card with black font on the front, but with neon orange paper inside. I loved it. And so my idea for my card developed further. While I was laser cutting for my tag, I also cut out my phrases from some white photo paper so that the whole front of my card would be black and white.
I then had to think about arrangement which was was whole lot of shifting letters around, taking pictures and then starting at them and asking other people opinions on which compliments the rest of the card best.
I also wasn’t through with thinking about how I could get my colour pop into my card. And the card I got in the post really helped me along. The outside of my card is black, then inside white, and then in the very middle, I have a sheet of bright yellow paper. Hows that for a colour pop! And it will be the only colour pop with the card because I’m planning to make a black envelope with a white inside, so the yellow is proper surprise when the card gets opened. I think that a pretty cool card, if I do say so myself.
Im really happy with how my collection is coming along at the moment, I’m finding it not easy, but easier to come up with ideas and designs than I usually do. Progress.
Today was much more difficult than yesterday.
Having completed three designs for the ‘by children, for children’ collection, it was time to start making Mica patterns. This is where things got difficult. Richard showed me four of his favourite Mica images and asked me to make some patterns from them. Not just any patterns, but patterns that are in the style of those created during the 1951 Festival of Briton. Having never heard of this festival I started by looking these up; the designs are a collection of sciences meets art in a very old fashioned design setting. With this in mind I selected a few of the Mica images that I liked and started to create designs; started being the operative word.
I started quite a few design but I couldn’t seem finish them. I’ve saved them away, in case inspiration strikes and I can work on them some more, but I really seem to have a mental block on this morning. One thing I found really difficult was connecting with the Mica, in particular the Mica that Richard wanted me to use. The colours within these Mica were gold, florescent yellow and a luminous red; colours I really don’t like, so finding pieces within these minerals to cut and take into a pattern was a real challenge.
Firstly I chose little sections from different Mica images that looked like red and orange leaves and started to make a tile on Photoshop, which could be used as a repeat pattern. When I showed this to Richard he couldn’t find a link between this pattern and the patterns from the Festival of Briton, so it was back to the drawing board. I decided to take inspiration from the top right festival pattern, using circular pieces of the Mica mineral to create a revolving design. I thought that this was much more in line with the festival designs, yet it still wasn’t matching up to Richard’s ideas, this is where I found my day becoming much more difficult, my mental block was frustrating and I was finding it really impossible to try and picture how these design would look through Richards eyes.
In the end Richard found a single Mica image and asked me to find interesting shapes, shapes that portrayed animals, and create a pattern that was similar to those I created with the mineralised children’s drawings. I manged to find a few interesting collections within the Mica image which I translated onto a Photoshop tile. As yet I’m still working on this tile and will be tomorrow as well. Further from this Richard has asked me to create four of these designs, to match up to the four that he has of the mineralised children’s patterns. At this time I’m finding the idea quite daunting because of the difficulty I’m having creating just one.