Eyes on the Prize

I won a prize, can you flipping believe it?!

Thursday afternoon was the long awaited International Greetings prize giving. Super exciting stuff, and really kind actually, to give out prizes to students just because of a live brief, they could have easily not, which is just really amazing of the IG team and Sarah Barker.

With 5 big prizes and 5 smaller prizes to give away, I was excited to see who would win the internships, and quite curious as to what the smaller prizes were and what new ones had been brought in for our year. So the time came for the prize giving and I was nervous for everyone. I’d walked around our room and had seen what had been created for IG, It was all pretty greate and all really different. And the people who won the prizes, well their work was so good and they truly deserved it.

And that’s where I come in. I will be honest. I can’t believe I won the prize for trend development. I always kind of thought my trend choosing was one of my weak points, but I guess that’s changed with third year because I’ve chosen two trends this year and I’ve loved both. And IG liked my trend just as much as I did, which has just given me a confidence boost with my current collection. I’m so happy!

Thank you Sarah and the IG Team.

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Ice Dye on the Highway

Today I experimented with ice dying in an attempt to recreate one of my photographs from around the city, into a fabric sample. I was super excited because I thought for sure this was going to be amazing and work amazingly and just be all amazing. And to be fair it did give me an idea on how to maybe do it better, but I wasn’t happy with the overall result. I was trying to recreate this photo

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I wanted the fabric to be dyed in pinks, red and browns to show the colour gradient in the brick, and then I planned to gather get mesh/net fabric for the mesh pattern in the brick, or experiment with some embroidery and dissolvable (I’m still actually planning to do both of these). What I ended up with was this,

which actually looks much better in the photos than real life. I think the colours are really good, I like that soft red/pink colour and I like the darker reds and browns, I just think the actual arrangement or placement of the colours is wrong. However, I know have a plan to have a more controlled result with ice dying (does that make me sound crazy?). I’m planning to dye the fabric an overall colour, most likely that pink, then one by one, add different layers of colour through ice dying, so I still get the natural dispersed effect, just in a hopefully much more controlled manner. I have faith that this will work, and that once its coated in waterproof spray and meshy stuff it will look boss! Which means one fabric design will be done and dusted, and I’ll be able to move on to bigger and scarier things.


My Mood Board City Continued …

I did it. I made a concentrated effort to finish my mood boards and I have. Hopefully! its not been easy. in fact I’ve been sat at this laptop since I got home, which was about 7/7.30pm I believe. So that’s a long time to spend on mood boards but I just couldn’t seem to get the placement right first time around. Thankfully however, I’ve managed to make a complete set of boards that I’m actually really happy with. wanna see?


Silhouette

I won’t lie, I thought it was crazy that we needed to have the silhouettes of our garments ready before knowing what they were going to look like, or even any inkling of colour or design. I’ve created three so far, maybe closer to two (I feel a cull coming on), and I’m just thinking about what other shapes I could want.

The garments I’m designing are all streetwear. They will all be baggy and oversized with really simple shapes because the focus is what they’ll be made of, and what will be on them.

I’ve been looking at other streetwear brands such as Huf, Thrasher, Represent, C2H4 and I even took myself into route one (really not a chore since I came away with a new jumper!), in order to look at shapes and lengths, and to just generally gather inspiration of what shapes I want to create myself.

Thankfully, at todays tutorial I finally got an idea, well not of the shapes but of the fabrics and how I’m going to go about making the fabrics and samples, as well as what techniques I want to use. So that has really energised me, making me want to go and find those other shapes! I plan to spend some time tomorrow and after work on Saturday coming up with more shapes ready for pattern development! •excited jig*


My mood board city

I’ve just started to create my mood boards. I’ve left it this long because I’ve been over thinking them. I know I have been and yet I couldn’t quite bring myself to stop. I wanted them to look perfect from the outset, rather than a work in progress that can inspire and develop my ideas. It was time to suck it up and create. The mood boards are a vital part of a collection and not just because we’ve always been told to make them, but because they truly do help to cut down ideas and to give you an intended path, which is what I need right now.

I’m still trying to approach my mood boards in a professional manner. I’ve been searching on atrsthreads to find really contemporary and well, really good looking, examples. I’ve never had a problem with over filling my mood boards, if anything I probably under fil so I’m ok in the regard, I just have to think  more about matching aspects together that create a narrative that I can follow clearly, and making sure that they look and feel contemporary and say exactly what I want my collection to be.

Here goes!

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I’m still standing – Reflective Statement

I have enjoyed this project, and though it’s duration I have realised that I’m not interested in just one area of textiles, say stationery or fashion, but I’m more interested in surface design, and how that can then be used. For this project, I very much worked with design first, and then thinking about how I could use and manipulate these into the surfaces as needed, and I’ve loved it.

Not only was I able to carry on using and developing my confidence and skills with screen printing throughout this project, but I also experimented with other hand printing techniques, such a woodcut and collagraph, which I haven’t used very often. I like the time it takes, with screen printing and woodcut, to be able to ready and create my designs. The long process of coating and exposing a screen, and the even longer time of carving a woodcut is something that’s unavailable through digital processes, and is one I enjoy. I’m able to work through every step of the creating process with these hand printing techniques, and that’s something that I always want to be able to do.

I’ve been doing something new this year, and I can’t quite pinpoint it, but I’ve enjoyed this whole project. I think it’s a combination of the theme I chose, the client, the colours, the techniques and materials; which have all resulted in a collection that I’ve found easy to be inspired by. Last year I thought that I was inspired by nature, that was nothing compare to how much I enjoyed this very urban and modern collection. I’m a city girl, why I thought I would get more inspiration from nature than the city I don’t know, but I’m just glad that I’ve found what I’m actually inspired by at the beginning of third year. My presentation skills have definitely improved, and I feel that I’m much more confident in speaking about my own work, and I think that this project has helped with that.

This project has prepared me for the degree show, its shown me the style I like to work in, what things I find influential to my designing, and given me the freedom to think in term of surface pattern design which can then be taken into any field. I like the thought of working in whatever discipline your inspired to by a certain brief or idea, and not trying to force an idea onto a certain product, for example I doubt my collection would have been as successful if I’d been making an interior collection.

I have really liked working on a live brief, it’s a sort of introduction into what a designing career would be like, and while this wasn’t a collaborative collection, I still like that I’d been able to speak with others near me, brainstorm and help each other. It makes me think that this is what a team dynamic would be like, helping each other to be better, and to encourage. I’ve also loved seeing what other have created and how different everyone is, it’s inspiring.


The Sheet Wrap Dance

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The design for my sheet wrap happened to be a happy accident. I was playing around with samples, layering and then bam! There was a result that I liked. A white pattern printed onto film work, with black organdie on under and white organdie over it. The result was a very tonal wrap design that was quite soft, which worked really well as a contrast to my roll wrap design.

While it was great to find a design I liked that easily, I still wanted to experiment with adding more tones, or maybe a contrasting stripe like in my roll wrap.

I used slices of film-work for thinner stripes and tape to create larger spaces, trying out a few different combination.

I experimented with closer stripes, overlapped stripes and stripes that were quite far apart.

Two of my designs had very structured lines that contrast really well with the more expressive lines of my grid design.  the other however has overlapping designs that are a bit more similar to the foreground pattern which I think makes the designs look a bit busy and doesn’t have a good as contrast of the more regimented stripes.

I think I prefer the design without the added tonal elements/stripes. I think by adding in extra elements its taking away from the simpleness of the design which compliments the business of my roll design. I like that both of the designs play off each other in both print and colours, I think this makes my collection more complex and well thought out.