I have enjoyed this project, and though it’s duration I have realised that I’m not interested in just one area of textiles, say stationery or fashion, but I’m more interested in surface design, and how that can then be used. For this project, I very much worked with design first, and then thinking about how I could use and manipulate these into the surfaces as needed, and I’ve loved it.
Not only was I able to carry on using and developing my confidence and skills with screen printing throughout this project, but I also experimented with other hand printing techniques, such a woodcut and collagraph, which I haven’t used very often. I like the time it takes, with screen printing and woodcut, to be able to ready and create my designs. The long process of coating and exposing a screen, and the even longer time of carving a woodcut is something that’s unavailable through digital processes, and is one I enjoy. I’m able to work through every step of the creating process with these hand printing techniques, and that’s something that I always want to be able to do.
I’ve been doing something new this year, and I can’t quite pinpoint it, but I’ve enjoyed this whole project. I think it’s a combination of the theme I chose, the client, the colours, the techniques and materials; which have all resulted in a collection that I’ve found easy to be inspired by. Last year I thought that I was inspired by nature, that was nothing compare to how much I enjoyed this very urban and modern collection. I’m a city girl, why I thought I would get more inspiration from nature than the city I don’t know, but I’m just glad that I’ve found what I’m actually inspired by at the beginning of third year. My presentation skills have definitely improved, and I feel that I’m much more confident in speaking about my own work, and I think that this project has helped with that.
This project has prepared me for the degree show, its shown me the style I like to work in, what things I find influential to my designing, and given me the freedom to think in term of surface pattern design which can then be taken into any field. I like the thought of working in whatever discipline your inspired to by a certain brief or idea, and not trying to force an idea onto a certain product, for example I doubt my collection would have been as successful if I’d been making an interior collection.
I have really liked working on a live brief, it’s a sort of introduction into what a designing career would be like, and while this wasn’t a collaborative collection, I still like that I’d been able to speak with others near me, brainstorm and help each other. It makes me think that this is what a team dynamic would be like, helping each other to be better, and to encourage. I’ve also loved seeing what other have created and how different everyone is, it’s inspiring.
The next task on the agenda was to make an envelope to go with my greetings card.
Originally, I wanted to have a black envelope so that it would really match up to the card, but then after speaking to Keireine, I realised that while the envelope was just an add on to the card, the design of the envelope could be something that elevated the design of the card. Also that a black envelope is really unpractical, and the the post office doesn’t like having addressed write in white ink.
The envelope could be something subtle so that when the card is revealed it would be a wow moment, which is kind of what I wanted. I also wanted my envelope to mask the brightness which is inside the card, which is why I decided I didn’t want yellow on my envelope because in my experience, envelopes do tend to match, and I didn’t want to give any clue about the bright yellow colour pop that goes inside.
That was my original motivation for a black envelope, so that when looked at, no one would realise that the card contains a bright yellow centre!
However; to match up with both my collection and my card, and with some tips from Keireine, I decided on a grey envelope. This works nicely with the black and white design of my card and also with my two wrapping papers, which are both mainly monotone. With the colour of my envelope decided, I though it would be too easy, and a bit boring to have just a plain envelope, so that’s where patterns come in.
I made three different envelopes, each with a different design inside. It was then a case of choosing which envelope I wanted.
Out of the three patterns, one was on my roll wrap and the back of my gift bag so that was automatically pushed to the bottom of my chooses; it would work well but I didn’t really want to have the same designs on three different products.
The other two designs were both on my greetings card, while one was also on the handles of my gift bag; which would again, give me the same designs on three products. So the other designs, which was also on my greetings card isn’t really noticeable; its used as the background surface pattern (because I have two surface patterns on my greetings card) and as such, isn’t a design that is dominant, which pretty much puts this design at the top of my choices list.
However, after all that reasonable thought, I decided to pick the envelope design that I thought looked the best, which was the second design; the one that matched the design for the card. It just looked better and sat more coherently with the rest of the collection. All the logical arguments can be made, like in this case, but sometime you just ave to go with you instinct and choose which one you think will fit better, instead of which one would logically fit better.
I’ve really enjoyed this project and think that shows in my collection.
I’ve managed to find combination of different events that has really worked for me. I really like the client that I’ve chosen to create for, kidults both male and female; I love my choice of inspiration for my graphics – urban grid patterns and typography; and I really like that I’ve been taking my inspiration from modern and 80s slang/phrases and technology.
I’ve especially lied my colour scheme which composes of monotone colours with bright 80s colour pops. I have a really fun time combining different colours and patterns together and I think I’ve done quite a good job of it.
This confidence I have in collection is what I took to my tutorial with Keireine, who liked what I’ve created so far, which was really great.
She really liked the colour scheme that I have used, and gave me a few pointers on how to best use the colour pops, and she also gave me a few ideas for experiments with my sheet wrapping paper.
I was really happy with my feedback, and how little I need to change, which is amazing because it means that I’ve chosen my theme and client really well.
I did however test out keireine’s suggestion of giving my mood boards a grey, industrial background. I thought it might make the other images less noticeable, but it actually really liked the result, which means I will totally try out every suggestion that Keireine gave me, because lets face it, she really knows what she’s on about!
My greetings card has been an ongoing mission, kind of like the five year mission on the USS Enterprise, only not quite lasting so long.
It started when I was creating my gift bag, suddenly a new design popped into my head, layers and all. I considered making another gift bag with this ideas, but since I had other things on my list that needed completing before I go off and make any extras, I decided to adapt the idea so that I could use it to create a really cool greetings card.
The idea started with two layers, one with a font pattern, the other with a grid pattern. For the gift bag I was thinking about the orange grid pattern I experimented with, but for the card, I though it would be too much colour, and not enough pop, so I turned to a grey grid pattern that I had printed, and layered this with the font pattern I created, printed not black organdie (mainly because I thought they looked better together than the grid and the font pattern on the white organdie).
Then I started thinking about what this card should look like. Its not good enough to just slap a surface pattern on a card because that shows you haven’t thought about the card itself, and while I realise I have used surface patterns on my card, I’ve also combined that with a font idea that I thought of just for this card, as well as the rest of the card compositions, e.g what card I’ll use to create it, what the inside will look like, do I have a coloured paper inside, what is my box template for the inside going to look like, what colour envelope should I make to match, etc. I have very purposely been thinking about every other aspect of this card, because I know that it needs to be designed differently from the rest of the items in my collection.
The font pattern I used in the background was a design that combines both old and new slang, typed up and printed out. I then scanned this designs back into the computer, but while doing so, I moved the paper so that the writing could get distorted, like a technical glitch or a paper jam kind of effect. This effect is one that takes its inspiration my research into 80s digital medias. So with a pattern that was both modern and retro, and a retro distortion of that design, I decided that what the card needed now what a modern slang or phrase for the writing that would be on the front.
My collection is an everyday collection so I don’t need to have any holiday or ‘happy birthday’ on the front of my card. I did however go for a phrase, or two that could easily be used to describe an outing or celebration.
Low-key / hi-key
They are modern terms, I know because I’ve been extensive googling modern slang (and wondering what the flip someone it means, but thankfully they have description included).
Low-key is to have an event thats not announced, so a small, quite gathering that could easily be a few friends coming together for a little celebration.
Hi-key is the opposite. A large gathering or party that be announced out loud so that everyone can join in.
These are two modern definition of a way to celebrate, so even though I’ve made an everyday collection, I’m still aware that this card could used for as a birthday card, or other celebration card.
I took inspiration from one of the samples I’d made earlier on, which had bright yellow embroidery on it, I was planning to do that for this card, to have my two phrases embroidered on the front as a colour pop. But then a card I’d ordered came in the post. A plain white card with black font on the front, but with neon orange paper inside. I loved it. And so my idea for my card developed further. While I was laser cutting for my tag, I also cut out my phrases from some white photo paper so that the whole front of my card would be black and white.
I then had to think about arrangement which was was whole lot of shifting letters around, taking pictures and then starting at them and asking other people opinions on which compliments the rest of the card best.
I also wasn’t through with thinking about how I could get my colour pop into my card. And the card I got in the post really helped me along. The outside of my card is black, then inside white, and then in the very middle, I have a sheet of bright yellow paper. Hows that for a colour pop! And it will be the only colour pop with the card because I’m planning to make a black envelope with a white inside, so the yellow is proper surprise when the card gets opened. I think that a pretty cool card, if I do say so myself.
Im really happy with how my collection is coming along at the moment, I’m finding it not easy, but easier to come up with ideas and designs than I usually do. Progress.
Thankfully, I already knew what design I wanted to put onto my roll of wrapping paper, and even more thankfully, it was a design that repeated, hu-rah! That’s one wrapping paper down, now I just need to work on my sheet.
The idea for my roll wrap came from a print that I was experimenting with, and it was actually one of the samples that I’d put away in my book. I was already using the design but in a different way, and from looking at this sample, I saw a way that I could change the colour and materials of the design to make it into a reaping wrap, and boy do I love the results. Its a very edgy and urban design that I printed onto white paper with black ink and silver foil, all very high contrast which is spot on for my colours. I don’t know, some people might look at it and feel there should be some colour on it, but I’ve purposely decided that both my wraps will be monotone because they are made to co-ordinate with my ribbon and gift tag, and the gift bow, all of which, will have vibrant colour pops.
My sheet wrapping paper, I didn’t come up with an idea for until this morning. For the last week I’ve been thinking about it and then pushing ideas away to concentrating on my greetings card and gift tag. When I was looking through my samples this morning, I focused on the background of one of my embroidery samples, which was a white grid pattern I’d experimented with towards the beginning of the project, printed onto film work, with a white organdie overlay. In materials and structure, it was very similar to the sample I used in my gift bag, only it was still see-through and even though I’m using sheer and see-through materials, I feel like having see-through wrapping paper is just a no-go.
I didn’t just want to scrap this idea, and it wasn’t because I had no other ideas, I really like the effect of these two materials together as well as the grid pattern that I’d paired with them. So I started looking at my other materials. While playing around with different layering, I laid some of my black organdie under the samples and suddenly my sheet wrap was in front of me. The new sample was a light grey, with a striking white design on the front, it wasn’t see-through (it only took three layers of sheer materials to make it opaque, who knew?) and I thought it looked pretty cool. I did some quick manipulating and suddenly I had a little sample of this wrap idea, and I started to hold it against some of my other designs, and for me, it just fit.
My roll wrapping paper is very high contrast and shiny, and my sheet wrap has a softer contrast between white and grey, and is matte. The roll has black and silver printed onto it and the sheet has white. In their own way, these two samples co-ordinate and contrast with each other in a way that I think makes them that much more interesting within the collection. I stick by my idea of having them, only in monotone because of the colour that will be on my ribbon and tag, and also because my colour scheme is monotone with pops of colour, and the pops of colour for these design, come from the tag and ribbon, so they can be used together and not clash.