Reflections

Third year has been the best year for me by far. I’ve felt happier and more creative. My designs have developed, and my university work has felt so much easier, as if I finally found the way I design, the way I think and what style I like. 

It all began in subject when I realised I loved using urban inspirations to design for the male market, due to the angular shapes and gritty subject matter, and I haven’t looked back, deciding to take this through to field. I love the moody colours, and even the bright ones, and I like that my designs are more masculine in nature; they seem to fit me better than what I’d created in the last two years. I’m a city girl, and I don’t know why I thought my designs would be influenced by anything else.

After determining what inspires me; black and white with a little 80’s thrown in there, I started looking on WGSN for the next trend to work with. I came across Youth Tonic, and therein, Slactivist Slogans, which is when I decided to put the theory of my dissertation into practice; using my craft as a medium for message. I’ve really enjoyed this topic and being able to design and create textiles that satisfy my love for creating with a deeper purpose.

Slactivist slogans is a transitional sub trend for autumn/winter 2018 inspired by bold graphics and political ideals. It has a bright colour scheme but it wouldn’t be me if I didn’t get in there some dark colours, so I included a dark grey and a dark purple. I am much more passionate about social ideals than political, especially when it comes to the welfare of people, and one group of people that really tug at my heart strings are the homeless. Living in a city I understand just how much money gets thrown away on useless things, I do it myself. I also understand how horrible it can be to be in a city, and I have a home and friends and people to protect me, the homeless don’t have those things. They are abused, ignored and treated as less than human because they are unfortunate enough not to have enough money to live on, let alone spend on unnecessities.

This is what I wanted to convey in my collection. That homeless people should not be treated as lepers because they’ve fallen into a difficult situation, or because they are living in a way that is contradictory to what ‘normal’ people consider living. Linking urban designs with homelessness wasn’t difficult, it was finding a design idea that was new and unusual that took a bit of time. I’ve seen a lot of collections/designs that are based on homeless people, and that was when I decided that I wanted to focus on what homeless people see, as opposed to looking at the homeless. I went to Cardiff city centre in the early morning, when most of the homeless have disappeared off the streets, and sat on the floor, and looked. The homeless people I see, more often than not, sit on the floor, which is a completely different perspective from almost everyone else who is in and out of the city centre each day. What I saw most of was the ground, and I started to look at the different markings and paint on the tiles, slabs, and manhole covers, and I found the inspiration for my designs. 

The first few weeks of designing difficult. Instead of thinking about designs surfaces I was too focused on designing my garments. While I was still experimenting with hand dying and screen printing, I wasn’t playing with designs or having fun with them because I had tunnel vision which only let me see my finished products. After I realised what I was doing, my designing got easier. I started to play with fabric manipulation, and laser cutting, I went back to mark making and turning the shapes and marks I found on the floor into designs. When I got to printing, I had some trouble with choosing the right colours to print on top of my coloured fabric. I’m used to working with black and white but I was so inspired by the colour scheme of Youth Tonic that I wanted a collection full of bold bright colours that would snatch and hold people’s attention.

I love fabric dying. I hadn’t practiced any since my first year, and I honestly don’t know why. I adore mixing and creating colours and then manipulating natural fabrics into a colour that I envisaged. I love having control of my designs from that very first step. It means that I can create something which has a part of me in it, which is so much more powerful that if I’d bought fabric that was as close to my chosen colour as possible. Each and everyone one of my designs I created from start to finish. I methodically created each piece all the while thinking of how these samples, these ideas could impact the change I’m striving for with my collection.

All in all this year I’ve learnt what I am comfortable with; fabric dying, screen printing and creating visual aides, and what I need help with, which is to not overthink and make sure that while I invest my time into my work, that I find a balance between relaxing and creating, meaning I’m able to think clearly, enjoy what I am doing and get involved in every part of the creating process.

I’ve also learnt that it is important to ask for and to thoughtfully consider others opinions this year instead of going full steam ahead. I’ve found it useful to have a team (even if it’s a team of friends) to give opinions to help me view my work with a critical eye and through this feedback, and helping others, my creative output, and my work has greatly improved for the better.

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Leader Of The Pack

My press packs are complete. Concluded. Wrapped up. Finalised. Done.

I had a little trouble deciding what I wanted to put into my press pack at the start, I wanted something that would make it individual, and a little more, ‘oh that cool’ instead of ‘hello generic press pack number 12’.

I decided to print a really bold coloured image on the back of my CV, this way theres a pop of colour! I also popped in my super cool postcard and my flipping epic business cards. Can I hear you spay ‘raised spot gloss’?

I also put in a USB, which I had put a digital version of my fashion portfolio, my CV, images from the photoshoot and a few CAD visuals of my designs.

Then to make it even more unique to my collection, I decided to add in some fabric samples, now whoever gets a press pack can have their own piece of hand dyed and screen printed fabric, curtesy of Courtney Suller Textile Design.

There has now also been a last minute addition. Not so last minute that I actually added it last minute, but it was only last week that I added in one of my mini lookbook’s into the press pack. I thought it was just a cool way of being able to see what’s on the memory stick but right in front of you. It also has all my contact details on it which can be seen through the clear container, which makes it look super profresh.

IMG_7884


Brief Encounter

During the cohort meeting on Monday it was mentioned that we needed a hard copy of our brief for the hand in, which reminded me that my brief needed a slight tweaking. I made sure that there wasn’t anything in my brief that wasn’t also in my collection (basically I took outa few handy loopholes that I thought I might when I wrote the brief) and made sure that everything was in tip top shapes for hand in.

And now I present you with, The Finished Brief –

Courtney Suller Brief


Behind The Scenes

Just some behind the scenes photos from the photoshoot –

 


Wish You Were Here, Buddy

This week was the start of the buddy system. Thankfully I’ve managed to get almost everything done before now. All my samples have been made, overlocked and headed. My garments have been created. My sketchbook and research book are all up to date and bursting at the seams. I even got to university super early on Monday (only because I wanted a lift instead of getting the bus) and had time to fill and sand down the walls in my space. The only thing I needed doing was having my space painted white, which my buddy(ies) did amazingly. Not a drip on the floor, none of the filler could be seen. And it was all done super quickly. I’m pretty sure it took me longer than that when I was a buddy, but I’m not complaining, Daisy and Sonya have made my life juts that much more easier. So much easier intact that yesterday I was able to paint my motif onto the wall ready for putting up my display today. HUZZAH!

 

 


It’s Not a Fashion Statement, It’s a Deathwish

I took some time today to put together my artist statement, and to really think about what I wanted to write in it. I wanted it to be succinct and to the point, while at the same time displaying the same passion that I have for my collection. Here’s what I came up with.

ARTIST STATEMENT

I have a heart for the homeless, one that makes me strive to fight for them, and to be heard for them. I created this collection as a way to break through the cloud of negativity and misconception that surrounds homelessness, so that no one gets treated as less than human because of a difference in living situation. I wanted my designs to reflect what homeless people see on a daily bases so I chose to focus patterns and markings found on the ground. This collection has a fashion outcome, for which I chose to create men’s outerwear. I chose outwear because of its protective nature, which I thought reflected really well with the idea that I’m trying to get across, that those who are vulnerable, such as the homeless, should be protected.


Book of Revelation

Maybe not quite, but I did make a look book to go in my press pack. I wanted something that was a bit different but still showed all the work that I’ve out into this collection, and I’ve had the idea of a look book floating around in my head for a few months now (probably because Irene said it and it just lodged itself in my brain). so why the heck not right?

It’s only a tiny little thing, a5 with only 6 pages, but its a cool little addition to my press pack, and as its so small it didn’t take too long to design the pages, leaving plenty of time for me to procrastinate with something else.